As Associate Producer, I supported the film from development through release by contributing to narrative structure, leading deep archival research, and helping shape the story through editorial collaboration. One notable contribution to this project is researching and sourcing all archival footage from the ESPN archives and uncovering never-before-seen footage that enhanced the story and preserved the legacy of Stuart Scott. This accounted for more than 23 minutes of the film's runtime.
I assisted in editorial revisions and production logistics, while also partnering with marketing teams on rollout strategy to position the film for maximum cultural and audience impact. Throughout the process, I served as a bridge between creative and production teams, helping guide the film from concept to completion.
Notable Press:
As an Archival Producer for various SEC Storied films and ESPN Special Projects, I led the sourcing, research, and management of extensive archival materials to support story development and editorial needs. I identified and organized thousands of assets for clearance, including footage, photography, and third-party materials, ensuring legal compliance and seamless integration into the final edit. Leading to new archival systems and research to be implemented within the company and used as the standard for training new members of the team.
By collaborating closely with producers, editors, and rights holders, I played a key role in shaping the narrative direction through historical context while maintaining efficient workflows and tracking assets across multiple concurrent productions.
As Feature Producer on ESPN’s 15 Years of 30 for 30 anniversary special, I led the development and execution of multiple segments within the one-hour broadcast, which premiered on ESPN2 and ESPN+. I worked across producers, editors, and network stakeholders to shape stories that celebrated the legacy and cultural impact of the series, managing each feature from concept through delivery.
For the Pop Culture segment, I led research and narrative development, crafting a story that framed 30 for 30’s broader cultural impact beyond sports. I collaborated closely with the show’s lead Producer to align editorial direction and oversaw production from development through final delivery, ensuring the feature fit cohesively within the overall countdown format and tone of the special.
Notable Press:
Forbes
Deadline
Essence
As Feature Producer on ESPN’s 15 Years of 30 for 30 anniversary special, I led the development and execution of multiple segments within the one-hour broadcast, which premiered on ESPN2 and ESPN+. I worked across producers, editors, and network stakeholders to shape stories that celebrated the legacy and cultural impact of the series, managing each feature from concept through delivery.
For the "The Best That Never Was" segment, I served as both Producer and Director, overseeing the project from concept through post-production. I conducted research to build the narrative structure, coordinated with Talent Producers, and field-produced the shoot by managing logistics, sourcing crew members, and executing on-set operations. I was able to get intimate never-before-seen interactions with the Oklahoma alum and foster long last relationships with college football legends.
In post-production, I took a hands-on approach to shaping the segment. This included pre-color grading, audio pre-mixing, integrating B-roll and graphics, and closely collaborating with the show Director to refine the story before handing it off to the post-production editor. This role required me to balance creative direction with production management in order to deliver a polished, story-driven segment within tight timelines.
"Summer of 30 for 30" trailer features 5 films that will be released beginning June 4th, 2024 and concluding August 3rd of 2024. It encapsulates the true spirit of sports and entertainment, offering an immersive experience of the lives, triumphs, and challenges of the fascinating subjects and events we delve into.
I had the privilege of contributing to the trailer, where I wrote the copy and provided the placeholder voiceover before the final version was produced.
Notable Press:
Variety
On Breakin’ On The One, I contributed across both archival and field production, supporting the film’s storytelling from research through on-set execution. As Associate Archival Producer, I assisted in sourcing and clearing archival materials that grounded the film’s cultural narrative.
In the field, I worked as 2nd Assistant Camera and VHS Camera Operator, supporting camera operations and capturing stylized footage that complemented the film’s visual approach. This hybrid role required seamless coordination between production and post, allowing me to contribute to both the historical depth and visual texture of the project.
Notable Press:
Blavity
30 for 30's Director's Take features a brief synopsis from the film's director's perspective on the creation of the film. Berlusconi: Condemned To Win Director's Take features director Sam Blair.
I served as a co-producer and editor on this project. I handled color grading, pre-mixed the audio, added B-roll and graphics, and collaborated closely with the producer to shape the narrative before handing the project over to the Post Production Editor.
30 for 30's Director's Take features a brief synopsis from the film's director's perspective on the creation of the film. Empire Skate Director's Take features director Josh Swade.
I served as a co-producer and editor on this project. I handled color grading, pre-mixed the audio, added B-roll and graphics, and collaborated closely with the producer to shape the narrative before handing the project over to the Post Production Editor.
30 for 30's Director's Take features a brief synopsis from the film's director's perspective on the creation of the film. The New York Sack Exchange Director's Take features co-director's James Weiner & Ken Rodgers.
I served as a co-producer and editor on this project. I handled color grading, pre-mixed the audio, added B-roll and graphics, and collaborated closely with the producer to shape the narrative before handing the project over to the Post Production Editor.
30 for 30 Shorts' Director's Take features a brief synopsis from the film's director's perspective on the creation of the film. Motorcycle Mary Director's Take features Director Haley Watson.
I served as a co-producer and editor on this project. I handled color grading, pre-mixed the audio, added B-roll and graphics, and collaborated closely with the producer to shape the narrative before handing the project over to the Post Production Editor.
30 for 30's Director's Take features a brief synopsis from the film's director's perspective on the creation of the film. Stolen Gold Director's Take features Director Suemay Oram.
I served as a co-producer and editor on this project. I handled color grading, pre-mixed the audio, added B-roll and graphics, and collaborated closely with the producer to shape the narrative before handing the project over to the Post Production Editor.
30 for 30's Director's Take features a brief synopsis from the film's director's perspective on the creation of the film. Dude Perfect Director's Take features co-Director's Louis Borgdorf & Oliver Lucian Anderson.
I served as a co-producer and editor on this project. I handled color grading, pre-mixed the audio, added B-roll and graphics, and collaborated closely with the producer to shape the narrative before handing the project over to the Post Production Editor.
30 for 30's Director's Take features a brief synopsis from the film's director's perspective on the creation of the film. American Son Director's Take features Director Jay Caspian Kang.
I served as a co-producer and editor on this project. I handled color grading, pre-mixed the audio, added B-roll and graphics, and collaborated closely with the producer to shape the narrative before handing the project over to the Post Production Editor.
30 for 30's Director's Take features a brief synopsis from the film's director's perspective on the creation of the film. False Positive Director's Take features Director Ishmail Al-Amin.
I served as a co-producer and editor on this project. I handled color grading, pre-mixed the audio, added B-roll and graphics, and collaborated closely with the producer to shape the narrative before handing the project over to the Post Production Editor.
30 for 30's Director's Take features a brief synopsis from the film's director's perspective on the creation of the film. 26.2 To Life Director's Take features Director Christine Yoo.
I served as a co-producer and editor on this project. I handled color grading, pre-mixed the audio, added B-roll and graphics, and collaborated closely with the producer to shape the narrative before handing the project over to the Post Production Editor.
30 for 30's Director's Take features a brief synopsis from the film's director's perspective on the creation of the film. Minister of Defense Director's Take features Directors Ken Rodgers & Courtland Bragg.
I served as a co-producer and editor on this project. I handled color grading, pre-mixed the audio, added B-roll and graphics, and collaborated closely with the producer to shape the narrative before handing the project over to the Post Production Editor.
30 for 30's Director's Take features a brief synopsis from the film's director's perspective on the creation of the film. The Great Heisman Race of 1997 Director's Take features Director Gentry Kirby.
I served as the director, co-producer, and editor for this project. I handled tasks such as color grading, pre-mixing audio, adding B-roll and graphics, and collaborated closely with my co-producer to shape the narrative before handing over the project to the Post Production Editor.
ESPN Films' Director's Take features a brief synopsis from the film's director's perspective on the creation of the film. Candace Parker: Unapologetic Director's Take features Director Joie Jacoby.
I served as a co-producer and editor on this project. I handled color grading, pre-mixed the audio, added B-roll and graphics, and collaborated closely with the producer to shape the narrative before handing the project over to the Post Production Editor.
30 for 30's Shorts Director's Take features a brief synopsis from the film's director's perspective on the creation of the film. Black Girls Play: The Story of Handgames Director's Take features Directors Michéle Stephenson & Joe Brewster.
I served as a co-producer and editor on this project. I handled color grading, pre-mixed the audio, added B-roll and graphics, and collaborated closely with the producer to shape the narrative before handing the project over to the Post Production Editor.
30 for 30's Director's Take features a brief synopsis from the film's director's perspective on the creation of the film. The Luckiest Guy In The World Director's Take features Director Steve James.
I acted as editor on this project where I color graded, pre-mixed audio, added B-roll, added graphics and work closely with the producer to assemble the narrative before passing the project to the Post Production Editor.
30 for 30's Director's Take features a brief synopsis from the film's director's perspective on the creation of the film. The American Gladiators Documentary Director's Take Pt.2 features Directors Ben Berman & Kirk Johnson.
I served as a co-producer and editor on this project. I handled color grading, pre-mixed the audio, added B-roll and graphics, and collaborated closely with the producer to shape the narrative before handing the project over to the Post Production Editor.
30 for 30's Director's Take features a brief synopsis from the film's director's perspective on the creation of the film. The American Gladiators Documentary Director's Take Pt.1 features Directors Ben Berman & Kirk Johnson.
I served as a co-producer and editor on this project. I handled color grading, pre-mixed the audio, added B-roll and graphics, and collaborated closely with the producer to shape the narrative before handing the project over to the Post Production Editor.
ESPN's 2022 NBA Draft Highlight Reel for the 2022 R1 Pick 10 Johnny Davis Jr.
In this project, I served as the Creative Director, Producer, and Post-Production Supervisor for this edit.
ESPN's 2022 NBA Draft Highlight Reel for the 2022 R1 Pick 19 Jake LaRavia.
In this project, I served as the Creative Director, Producer, and Post-Production Supervisor for this edit.
ESPN's 2022 NBA Draft Highlight Reel for the 2022 R1 Pick 25 Blake Wesley.
In this project, I served as the Creative Director, Producer, and Post-Production Supervisor for this edit.
ESPN's 2022 NBA Draft Highlight Reel for the 2022 R1 Pick 26 Wendell Moore Jr.
In this project, I served as the Creative Director, Producer, and Post-Production Supervisor for this edit.
ESPN 2022 NBA Draft Highlight Reel for 2022 inductee Dereon Seabron.
In this project, I served as the Creative Director, Producer, and Post-Production Supervisor for this edit.
ESPN 2022 NBA Draft Highlight Reel for 2022 inductee Alondes Williams.
In this project, I served as the Creative Director, Producer, and Post-Production Supervisor for this edit.
ESPN 2022 NBA Draft Speciality Reel for 2022 x2 NBA Champion Kawhi Leonard.
In this project, I served as the Creative Director, Producer, and Post-Production Supervisor for this edit.
ESPN 2022 NBA Draft Speciality Reel for Luka Doncic.
In this project, I served as the Creative Director, Producer, and Post-Production Supervisor for this edit.
ESPN 2022 NBA Draft Speciality Reel for Zion Williamson.
In this project, I served as the Creative Director, Producer, and Post-Production Supervisor for this edit.
ESPN 2022 NBA Draft Speciality Reel for Trae Young.
In this project, I served as the Creative Director, Producer, and Post-Production Supervisor for this edit.
ESPN 2022 NBA Draft Speciality Reel for D'Angelo Russell.
In this project, I served as the Creative Director, Producer, and Post-Production Supervisor for this edit.
ESPN 2022 NBA Draft Speciality Reel for 2021-2022 Rookie of the Year Scottie Barnes.
In this project, I served as the Creative Director, Producer, and Post-Production Supervisor for this edit.
Multipart mini-documentary series presented by Charlotte FC and Ally Bank, covering the inaugural season for Charlotte FC.
In this project, I served as the 1st Assistant Camera and Production Assistant.
Multipart mini-documentary series presented by Charlotte FC and Ally Bank, covering the inaugural season for Charlotte FC.
In this project, I served as the 1st Assistant Camera and Production Assistant.
Under Armour x Curry Brand Spec Commercial.
In this project, I served as a Set Production Assistant.
I was contacted by musician Jaron Smalls to create a music video visualizer for his single "Side Effects." He had seen a Converse Spec Commercial that I had shot and directed using a Sony Hi-8 Handicam, and he wanted me to use a similar style to bring his vision for the song to life.
I handled the entire production process, serving as the Director, Producer, Director of Photography, Creative Director, Camera Operator, Sound Designer, and Editor from start to finish.
During my internship as a Design/Video intern for RED Ventures' non-profit Road to Hire, I created an infomercial to raise awareness about Road to Hire's mission. The goal of the project was to promote economic justice for under-resourced young adults by providing real access to education and employment opportunities.
I managed the entire production process from pre-production to final delivery, serving as the Producer, Director, Director of Photography, Creative Director, Camera Operator, Sound Designer, and Editor.
During my internship as a Design/Video Intern for RED Ventures' non-profit Road to Hire, I was responsible for creating a recap reel of an event that celebrated the graduation of its 2021 high school cohort. The event featured special guest YouTube freestyle sensation Harry Mack.
I handled the entire production process from pre-production to final delivery, taking on the roles of Producer, Director, Creative Director, Sound Designer, and Editor.
I assisted in creating a mini-documentary series based on John Tobias's summer practicum, during which his students had the chance to work with a professional sports entity each week.
The first week focused on the Carolina Panthers at Bank of America Stadium, where I served as the Director, Producer, Creative Director, Camera Operator, Sound Designer, and Editor.
During my internship as a Video Production Intern at Loyd Visuals & Gambrell Foundation, I participated in the Loyd Visuals vs. Interns video challenge. The challenge required us to focus on one subject, one set, and involved two interns and a director with a creative vision.
This challenge allowed me to explore my creativity by limiting myself to using VHS only. I chose to create a retro Converse Spec Commercial and took on multiple roles, including Director, Producer, Creative Director, Camera Operator, Sound Designer, and Editor.
During my internship as a Video Production Intern at Loyd Visuals & Gambrell Foundation, I participated in the Loyd Visuals vs. Interns video challenge. The challenge required us to focus on one subject and one set, and involved two interns, a production supervisor, and a director with a creative vision.
This challenge allowed me to explore my creativity by having limited time and resources to create the video. I served in multiple roles, including Director, Producer, Creative Director, Camera Operator, Sound Designer, and Editor.
During my internship as a Video Production Intern at Loyd Visuals & Gambrell Foundation, I, along with my fellow intern, had the opportunity to speak with prominent members of the Charlotte community and showcase their important work.
This project was developed from scratch over an 8-week period. The interview series was created using Adobe After Effects graphics, format, and medium that I developed with the assistance of the Loyd Visuals team.
In this project, I took on roles including Director, Creative Director, Editor, Graphic Designer, Interviewer, and Sound Designer.
During my internship as a Video Production Intern at Loyd Visuals & Gambrell Foundation, I had the opportunity to work with the Historic West End Partners. Our team was tasked with showcasing black-owned businesses along the Beatties Ford Road corridor.
We aimed to create a mini-documentary or promotional video to highlight their stories and shed a positive light on the community.
In this project, I served as an Audio Technician and Production Assistant.
During my internship as a Video Production Intern at Loyd Visuals & Gambrell Foundation, I had the opportunity to work with FDY, Inc., a wholly minority-owned food service company that specializes in developing and operating restaurants and dining service programs in airports, federal government facilities, colleges, and universities throughout the Southeast.
We used visual storytelling to showcase onsite locations in the Charlotte region, emphasizing the quality food and great experience provided to their customers.
I served as the 2nd Camera Operator, Editor, and Production Assistant.
During my internship as a Video Production Intern at Loyd Visuals & Gambrell Foundation, I had the opportunity to create a behind the scenes video showcasing the work that went into creating the Honeywell x Charlotte Center City Partners project.
I served as the Director, Camera Op, Editor, Creative Director.
During my internship as a Video Production Intern at Loyd Visuals & Gambrell Foundation, I had the opportunity to work with F&D Integra, an architectural firm that assigned our team the task of showcasing the company's work and history. Through visual storytelling, we were able to vividly describe the company's accomplishments.
In this project, I served as the 2nd Camera Operator, Editor, and Production Assistant.
During my internship as a Video Production Intern at Loyd Visuals & Gambrell Foundation, I had the opportunity to work with Charlotte Center City Partners and Honeywell, who have joined forces to create the Center City Small Business Innovation Fund.
This initiative was designed to spur and support innovation and adaptation by storefront small businesses as they adjust to the new economic challenges posed by the COVID-19 crisis and economic downturn. We documented 5 deserving recipients of the fund and had the chance to hear more of their stories.
In this project, I served as the 2nd Camera Operator, Editor, and Production Assistant.
During my internship as a Video Production Intern at Loyd Visuals & Gambrell Foundation, I had the opportunity to work with the We Are Hip Hop Festival, which was a three-day event full of nonstop energy and good vibes!
We were able to capture incredible artists of all backgrounds in their element.
In this project, I served as the 3rd Camera Operator, Editor, and Production Assistant.
During my internship as a Video Production Intern at Loyd Visuals & Gambrell Foundation, I had the opportunity to work with the Acheampong's for their 5th anniversary of marriage.
They wanted to ensure that they captured this milestone in style, and we had the honor of helping them do just that. This video was also inspired by the late, great Nipsey Hussle.
In this project, I served as the Production Assistant and Co-Editor.